Sholom Secunda, Chanticleer's 'Secunda / Arr. Hinman Bei mir bist du schön' came out on October 12, 2018. The duration of Secunda / Arr. Hinman Bei mir bist du schön is about 3 minutes long, at 3:19. Based on our data, "Secunda / Arr. Hinman Bei mir bist du schön" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Then and There, Here and Now". In this album, this song's track order is #14. Secunda / Arr. Hinman Bei mir bist du schön is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Secunda / Arr. Hinman Bei mir bist du schön by Sholom Secunda, Chanticleer having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le carnaval des animaux: Carnival of the Animals: XIII. The Swan | Camille Saint-Saëns, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | G Major | 0 | 9B | 88 BPM | ||
The Race | Noa, Gil Dor | F Major | 2 | 7B | 140 BPM | ||
Bei Mir Bist Du Schoen | Quartet San Francisco, Joel Cohen, Emily Onderdonk, Kayo Miki, Jeremy Cohen, Sholom Secunda | C Minor | 1 | 5A | 77 BPM | ||
Rusalka: Song to the Moon | Antonín Dvořák, Olga Peretyatko, Miguel Gomez-Martinez | F♯ Major | 2 | 2B | 89 BPM | ||
O Cessate Di Piagarmi (Arr. Voice & Electric Guitar) | Alessandro Scarlatti, Nora Fischer, Marnix Dorrestein | B♭ Minor | 1 | 3A | 136 BPM | ||
The Godfather | Nino Rota, Bucharest Symphony Orchestra, Ciprian Marinescu, Đinh Hoài Xuân | G Minor | 3 | 6A | 120 BPM | ||
Come in Peace | Giora Feidman, Oscar Sher, Ami Frenkel, Ofer Shalhin, Shmuel Hershko | G Minor | 0 | 6A | 76 BPM | ||
Je t‘aime (Les Trois Valses) | Oscar Straus, Fatma Said, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo | C Major | 1 | 8B | 116 BPM | ||
Nifty's Freilach | David Orlowsky Trio | G Minor | 2 | 6A | 96 BPM | ||
Ave Verum | Karl Jenkins, Cai Thomas, Aksel Rykkvin, London Mozart Players, Robert Lewis | D♭ Major | 1 | 3B | 68 BPM |
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