"O Cessate Di Piagarmi (Arr. Voice & Electric Guitar)" by Alessandro Scarlatti, Nora Fischer, Marnix Dorrestein was released on March 9, 2018. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since O Cessate Di Piagarmi (Arr. Voice & Electric Guitar) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, O Cessate Di Piagarmi (Arr. Voice & Electric Guitar)'s popularity is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With O Cessate Di Piagarmi (Arr. Voice & Electric Guitar) by Alessandro Scarlatti, Nora Fischer, Marnix Dorrestein having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hable con Ella | Alberto Iglesias, Remy Van Kesteren | A Minor | 1 | 8A | 111 BPM | ||
O di Betlemme altera: 1. Introduzione | Alessandro Scarlatti, The English Concert, Trevor Pinnock, Peter Hanson, Walter Reiter, Trevor Jones, Jane Coe, Peter McCarthy | A♭ Major | 1 | 4B | 105 BPM | ||
Folon | Salif Keita, Derek Gripper | C Major | 0 | 8B | 97 BPM | ||
Cara e dolce | Alessandro Scarlatti | G Minor | 0 | 6A | 177 BPM | ||
I lie | David Lang, Ars Nova Copenhagen, Paul Hillier | D♭ Major | 0 | 3B | 143 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
The Death Of A Blackbird | Sarah McCoy | G Minor | 1 | 6A | 80 BPM | ||
Montagne, que tu es haute | Kronos Quartet, Olivia Chaney | F Minor | 2 | 4A | 94 BPM | ||
Aranjuez Concerto BWV 1056 | Joaquín Rodrigo, Johann Sebastian Bach, Aleksander Debicz, Łukasz Kuropaczewski | F Minor | 0 | 4A | 128 BPM | ||
Happy Voices | René Aubry | F Major | 3 | 7B | 160 BPM |
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