Bartolomé de Selma y Salaverde, Erik Bosgraaf, Izhar Elias, Alessandro Pianu's 'Canzon Seconda' came out on December 3, 2012. The duration of Canzon Seconda is about 3 minutes long, at 3:01. Based on our data, "Canzon Seconda" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Erik Bosgraaf, Izhar Elias, Alessandro Pianu's "La Monarcha" album is number 17 out of 25. In terms of popularity, Canzon Seconda is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Canzon Seconda by Bartolomé de Selma y Salaverde, Erik Bosgraaf, Izhar Elias, Alessandro Pianu to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Consort Music: Fantasy Suite à 4 (Fantasy - Alman - Corant) | John Jenkins, Consort Of Musicke, Trevor Jones | F Minor | 1 | 4A | 117 BPM | ||
Capriccio in G Minor, FbWV 505, Pt. 3 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Canzoni fantasie et correnti da suona: Fantasia a basso solo | Bartolomé de Selma y Salaverde, La Ritirata, Josetxu Obregon | C Major | 1 | 8B | 115 BPM | ||
Captaine Piper his Galiard | John Dowland, Les Voix Humaines | E♭ Minor | 0 | 2A | 167 BPM | ||
Violin Sonata in G Minor, Op. 2 No. 3: I. Adagio | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | B Major | 2 | 1B | 111 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 3: II. Andante, sempre Piano | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Manuscrit Panmure: Courante in D Minor | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | A♭ Minor | 2 | 1A | 141 BPM | ||
Baryton Trio in C Major, Hob. XI:93: I. Allegro di molto | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 16 In cor più non mi sento, n. 17 Le streghe, n. 18 Andantino | Niccolò Paganini, Giovanni Paisiello, Franz Xaver Süssmayr, Mauro Bonelli | A♭ Minor | 1 | 1A | 113 BPM | ||
Manuscrit Panmure: Grande Chaconne in G Major | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | D♭ Major | 0 | 3B | 78 BPM |
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