"Reger : Variations & Fugue on a Theme by JS Bach Op.81" by Max Reger, András Schiff was released on November 1, 1994. Reger : Variations & Fugue on a Theme by JS Bach Op.81 appears to be safe for all ages as it is not explicit. The song is number 6 out of 6 in Brahms, Handel & Reger : Piano Works (Elatus) by András Schiff. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Reger : Variations & Fugue on a Theme by JS Bach Op.81 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Reger : Variations & Fugue on a Theme by JS Bach Op.81 by Max Reger, András Schiff is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For Oboe And Strings: 1. Rondo Pastorale | Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim | E Minor | 2 | 9A | 91 BPM | ||
Poulenc: Piano Concerto in C-Sharp Minor, FP 146: II. Andante con moto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 0 | 5B | 175 BPM | ||
Carissima | Edward Elgar, New Zealand Symphony Orchestra, James Judd | E Minor | 2 | 9A | 87 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
Requiem, Op. 48: III. Offertoire | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D Major | 1 | 10B | 76 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Youth | Dmitri Shostakovich, Nikolaus Boewer, Deutsche Staatsphilharmonie Rheinland-Pfalz, Mark Fitz-Gerald | G Major | 1 | 9B | 145 BPM | ||
Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato | George Frideric Handel, Akademie für Alte Musik Berlin | A Major | 0 | 11B | 35 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Saraband | Benjamin Britten, English Chamber Orchestra | G Minor | 1 | 6A | 82 BPM |
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