Salzburger Adventsingen, Salzburger Saitenmusikensemble's 'Heimatwerk-Galopp - 2012' came out on October 31, 2017. With Heimatwerk-Galopp - 2012 being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Salzburger Adventsingen im Großen Festspielhaus (Die zweiten 25 - Alpenländische Lieder und Weisen)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Austria. Based on our statistics, Heimatwerk-Galopp - 2012's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Heimatwerk-Galopp - 2012 by Salzburger Adventsingen, Salzburger Saitenmusikensemble having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Atys, "Le Sommeil" Opera in 5 actes with prologue: Le sommeil | Jean-Baptiste Lully, English Chamber Orchestra, Raymond Leppard | G Major | 1 | 9B | 146 BPM | ||
Mailüfterl | Weisenbläser | F Major | 1 | 7B | 72 BPM | ||
Violin Concerto in D Major, Op. 3, No. 3: I. Presto | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 1 | 10B | 125 BPM | ||
Six Concertos For Flute, Strings And Continuo, Op. 10: No. 1 In F, Rv 433 "la Tempesta Di Mare" | Antonio Vivaldi, Jennifer Stinton, Harry Christophers, Concertgebouw Chamber Orchestra | A Minor | 1 | 8A | 124 BPM | ||
Messe du deuxième ton: Agnus Dei | André Raison, Henri Dumont, Michael Burnette, Stephen Eggert, David Heller, Jonathan Perry, Scott Shaw, H. Joseph Butler, Frederick Hohman | A♭ Major | 2 | 4B | 59 BPM | ||
Spatzenmesse in C-Dur, KV. 220 'Missa - Sanctus' | Ingrid Hofer, Wolfgang Bankl, Michael Gailit, Manfred Equiluz, Chor, Solisten & Orchester von St. Augustin, Brigitta Karwautz | C Major | 1 | 8B | 105 BPM | ||
Go Deep - Instrumental Version | Green Nature | C Minor | 0 | 5A | 97 BPM | ||
Flute Trio No. 1 in C Major, Hob. IV:1: III. Finale. Vivace | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal | C Major | 2 | 8B | 151 BPM | ||
III. Seht, seht! wie reißt, wie bricht, wie fällt (Aria) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Daniel Johannsen | A♭ Major | 2 | 4B | 92 BPM | ||
Kapitel 3.6 - Geschichten aus Bullerbü | Astrid Lindgren, Wir Kinder aus Bullerbü | D Major | 4 | 10B | 136 BPM |
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