Robert Schumann, Luca Ballerini's 'Carnaval, Op. 9 "Scènes mignonnes sur quatre notes": No. 21 in A-Flat Major, Marche des «Davidsbündler» contre les Philistins - Non allegro' came out on February 25, 2022. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "Schumann: Concert sans Orchestre Op.14 (Manuscript Version 1836), Carnaval Op. 9". In this album, this song's track order is #26. Furthermore, we believe that the track originated from Italy. In terms of popularity, Carnaval, Op. 9 "Scènes mignonnes sur quatre notes": No. 21 in A-Flat Major, Marche des «Davidsbündler» contre les Philistins - Non allegro is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Carnaval, Op. 9 "Scènes mignonnes sur quatre notes": No. 21 in A-Flat Major, Marche des «Davidsbündler» contre les Philistins - Non allegro by Robert Schumann, Luca Ballerini having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | E♭ Major | 1 | 5B | 120 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Sonata For Piano And Violin In E Minor, K.304: 2. Tempo di minuetto | Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu | E Minor | 1 | 9A | 124 BPM | ||
Nocturne No. 4 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 69 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Rudolf Buchbinder | E Major | 0 | 12B | 89 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Kinderszenen, Op. 15 (transcribed for cello and piano by Thedéen & Shirinyan): No. 7 Träumerei | Robert Schumann, Marianna Shirinyan, Torleif Thedéen | G Minor | 4 | 6A | 148 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM |
Section: 0.7007787227630615
End: 0.7048287391662598