On 1987, the song "Swan Lake - Ballet, Op. 20 (Highlights) (1987 Digital Remaster), No. 13 - Danse des cygnes (Act II):: IV. Allegro moderato" was released by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra. With Swan Lake - Ballet, Op. 20 (Highlights) (1987 Digital Remaster), No. 13 - Danse des cygnes (Act II):: IV. Allegro moderato being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Tchaikovsky: Ballet Highlights". In this album, this song's track order is #3. In terms of popularity, Swan Lake - Ballet, Op. 20 (Highlights) (1987 Digital Remaster), No. 13 - Danse des cygnes (Act II):: IV. Allegro moderato is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Swan Lake - Ballet, Op. 20 (Highlights) (1987 Digital Remaster), No. 13 - Danse des cygnes (Act II):: IV. Allegro moderato by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 40 in G Minor, K. 550: 1. Molto allegro | Wolfgang Amadeus Mozart, London Symphony Orchestra, Benjamin Britten | G Minor | 2 | 6A | 104 BPM | ||
Act I: Entree Of Kitri (Minkus) | Mariinsky Orchestra | G Major | 1 | 9B | 172 BPM | ||
Coppélia: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden | E♭ Major | 1 | 5B | 72 BPM | ||
The Nutcracker, Op. 71: 14. Pas de deux | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | E Minor | 1 | 9A | 67 BPM | ||
Cherevichki: Act III Scene 1: Intermezzo | Pyotr Ilyich Tchaikovsky, Valery Popov, Ludmila Semciuk, Albert Schagidullin, Vladimir Ognovenko, Ekaterina Morosova, Barseg Tumanyan, Valentin Prolat, Vladimir Okenko, Grigory Osipov, Pavel Cernoch, Frantisek Zahradnicek, Fabio Bonavita, Teatro Lirico Chorus, Teatro Lirico Orchestra, Gennady Rozhdestvensky | C Minor | 0 | 5A | 135 BPM | ||
Fauré: Requiem in D Minor, Op. 48: IV. Pie Jesu (Adagio) | Gabriel Fauré, Philippe Jaroussky, Paavo Järvi, Orchestre de Paris | B♭ Major | 0 | 6B | 129 BPM | ||
Cascanueces suite, Op. 71a: No. 4, Danza rusa (Trepak) | Orquesta Filarmonica de Alemania, Wilèm Oderich | G Major | 5 | 9B | 146 BPM | ||
The Nutcracker, Op. 71, Act II: XIVc. Var. 2, Dance of the Sugar-Plum Fairy | Pyotr Ilyich Tchaikovsky, Heribert Beissel, Bonn Classical Philharmonic | E Minor | 0 | 9A | 117 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 14, Juliet's Variation | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 0 | 7B | 68 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.9 Wedding March | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | C Major | 2 | 8B | 85 BPM |
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