"Missa sopra l'aria della monica: Kyrie II" by Girolamo Frescobaldi, Furio Zanasi, Pascal Bertin, Michel Van Goethem, Guiseppe Maletto, Roberto Abbondanza, Attilio Cremonesi, Teatro Armonico, Il, Alessandro De Marchi was released on April 1, 2014. With Missa sopra l'aria della monica: Kyrie II being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 5 out of 21 in Frescobaldi: Messa sopra l'aria della Monica by Girolamo Frescobaldi, Alessandro De Marchi. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Missa sopra l'aria della monica: Kyrie II is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa sopra l'aria della monica: Kyrie II by Girolamo Frescobaldi, Furio Zanasi, Pascal Bertin, Michel Van Goethem, Guiseppe Maletto, Roberto Abbondanza, Attilio Cremonesi, Teatro Armonico, Il, Alessandro De Marchi is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Euridice, Prologo: Sinfonia a 5 | Luca Marenzio, Ensemble Albalonga, Aníbal E. Cetrangolo | F Major | 0 | 7B | 129 BPM | ||
Innsbruck, ich muss dich lassen | Heinrich Isaac, Capilla Flamenca | F Major | 0 | 7B | 94 BPM | ||
Canzona La Bernardinia | Girolamo Frescobaldi, Bruce Dickey, Stephen Stubbs, Erin Headley, Andrew Lawrence-King | A Minor | 1 | 8A | 72 BPM | ||
Jesu Rex admirabilis, F 11.23 | Girolamo Frescobaldi, Lorenzo Ghielmi | C Major | 0 | 8B | 90 BPM | ||
Lute Sonata No. 11 in D Minor: I. Fantasia | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
Vespro della Beata Vergine, SV 206: Hymnus "Ave maris stella" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 1 | 9B | 123 BPM | ||
Cazzati: La Strozza | Maurizio Cazzati, Christina Pluhar, L'Arpeggiata | C Major | 2 | 8B | 82 BPM | ||
Mit Fried und Freud ich fahr dahin, BuxWV 76 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
Piva for Lute & Bass Viol | Joan Ambrosio Dalza, Geneva Baroque Duo | D♭ Major | 2 | 3B | 135 BPM | ||
Luz y norte musical: Pabanas | Lucas Ruiz de Ribayaz, Piffaro | D♭ Major | 0 | 3B | 99 BPM |
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