"Jeux D'enfants, After Janacek's Moravian Folksongs: I. -" by Gerard Krawczyk, Franck Krawczyk, Sinfonia Varsovia was released on February 9, 2009. With Jeux D'enfants, After Janacek's Moravian Folksongs: I. - being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 21 in Chants d'est (Sur le sentier recouvert) by Franck Krawczyk, Sonia Wieder-Atherton, Sinfonia Varsovia, Alexander Tcherepnin. Jeux D'enfants, After Janacek's Moravian Folksongs: I. - is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jeux D'enfants, After Janacek's Moravian Folksongs: I. - by Gerard Krawczyk, Franck Krawczyk, Sinfonia Varsovia is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Tristan und Isolde, WWV 90: VI, Brangänes Verzweiflung - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Concerto No. 2, "As Above so Below": II. Sinfonia - After Sinfonia, Cantata "Ich hatte viel Bekümmernis", BWV 21 | Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester | C Minor | 1 | 5A | 111 BPM | ||
Sonata No. 1 for Cello and Piano: I. Largo | Alfred Schnittke, Jan Michiels, Viviane Spanoghe | E♭ Major | 0 | 5B | 70 BPM | ||
Moment musicale | Heino Eller, Andres Kaljuste, Sophia Rahman | F♯ Minor | 2 | 11A | 94 BPM | ||
Clarinet Concerto: III. Andantino | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | A Minor | 0 | 8A | 107 BPM | ||
Fratres | Lucia Micarelli | E Major | 3 | 12B | 97 BPM | ||
Passacaglia (Version for Cello & Piano) | Rebecca Clarke, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
4 Short Pieces, Op. 6: No. 1, Prelude. Non troppo allegro | Howard Ferguson, John Finucane, Elisaveta Blumina | A Minor | 0 | 8A | 51 BPM | ||
Serenade in C Major, Op. 10: I. Marcia: Allegro | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | D♭ Major | 2 | 3B | 123 BPM | ||
Antiche danze et arie, Suite No. 1 (Arr. for 4 Saxophones and Piano): II. Gagliarda. Allegro marcato | Ottorino Respighi, Alliage Quintett | D Minor | 2 | 7A | 171 BPM |
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