"The Son Of Kong: The Black Bear" by Moscow Symphony Orchestra, William T. Stromberg, John Morgan, Max Steiner was released on March 12, 2001. The duration of The Son Of Kong: The Black Bear is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. The Son Of Kong: The Black Bear's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Moscow Symphony Orchestra's "Max Steiner: The Son Of Kong / The Most Dangerous Game (Music Reconstrucion John W. Morgan)" album is number 12 out of 32. The Son Of Kong: The Black Bear is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Son Of Kong: The Black Bear by Moscow Symphony Orchestra, William T. Stromberg, John Morgan, Max Steiner to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Adventures of Robin Hood: Robin Hood Attacks Sir Guy's Party - The Attack | Erich Wolfgang Korngold, Moscow Symphony Orchestra, William Stromberg | F Major | 2 | 7B | 76 BPM | ||
Symphony No. 1 in E Major, Op. 26: II. Allegro dramatico | Alexander Scriabin, Mikhail Agafonov, Lyudmila Ivanova, Moscow Capella, Moscow Symphony Orchestra, Igor Golovschin | F♯ Major | 0 | 2B | 139 BPM | ||
アルミードの館 | Alexander Tcherepnin, Moscow Symphony Orchestra, Henry Shek | E Minor | 1 | 9A | 147 BPM | ||
Raymonda, Op. 57: Act I - Scene V | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | F Major | 0 | 7B | 87 BPM | ||
The Lost Patrol: On Guard - Night Wind | Max Steiner, Moscow Symphony Orchestra, William Stromberg | B♭ Minor | 4 | 3A | 66 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Eugene Onegin - Waltz | Symphony Orchestra of the Russian State TV & Radio Centre | A♭ Major | 1 | 4B | 118 BPM | ||
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM |
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