- BPM
- 72
- Key
- D Major
- Camelot
- 10B
Triptych: II. Intermezzo - Ian Hare Information
- Acousticness
- 79%
- Danceability
- 6%
- Energy
- 2%
- Instrumentalness
- 95%
- Liveness
- 12%
- Loudness
- 61%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -23.677 dB
Summary
"Triptych: II. Intermezzo" by Ian Hare was released on May 19, 2017. With this song being about 5 minutes long, at 5:18, "Triptych: II. Intermezzo" by Ian Hare is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 23 in the song's album "Organs of the Lake District". In this album, this song's track order is #15. Triptych: II. Intermezzo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Triptych: II. Intermezzo BPM
With Triptych: II. Intermezzo by Ian Hare having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Triptych: II. Intermezzo Key
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Royal Fanfare | Arthur Bliss, John Scott Whiteley | B♭ Major | 2 | 6B | 80 BPM | |
 | Missa Solemnis: II. Gloria in excelsis Deo | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 102 BPM | |
 | Agnus Dei-adagio | Matthews, Arnold, American Bach Soloists, Munoz, Butterfield, Jeffrey Thomas | B♭ Major | 1 | 6B | 138 BPM | |
 | Mass in D Major, Op. 86 / Kyrie: Ib. Christe | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Minor | 1 | 6A | 78 BPM | |
 | Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | |
 | Gloria: Domine Deus, Agnus Dei | Antonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 0 | 12A | 179 BPM | |
 | Mass No. 2 in G Major, D. 167: V. Benedictus | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | |
 | 3 Madrigals: No. 1. O Mistress Mine, Where Are You Going | Emma Lou Diemer, University of North Texas A Cappella Choir, North Texas Chamber Choir, Jerry McCoy | G Minor | 1 | 6A | 135 BPM | |
 | O Sacred Head Sore Wounded | Hans Leo Hassler, Johann Sebastian Bach, James Waddell Alexander, Henry Williams Baker, Paul Gerhardt, The Choir of Trinity College, Melbourne, Jonathan Bradley, Michael Leighton Jones | C Major | 1 | 8B | 143 BPM | |
 | Rigaudon | André Campra, Douglas Bush, David Brown | A Major | 1 | 11B | 68 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6267282962799072
End: 0.6311063766479492