"Clairières dans le ciel (Version for Soprano & Piano): No. 13, Je garde une médaille d'elle" by Lili Boulanger, Karin Ott, Jean Lemaire was released on December 11, 2020. Since Clairières dans le ciel (Version for Soprano & Piano): No. 13, Je garde une médaille d'elle is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Lili Boulanger, Karin Ott, Jean Lemaire, Quartetto di Lugano, Pietro Antonini's "Lili Boulanger: Art Songs" album is number 13 out of 18. On top of that, Switzerland appears to be the country where this track was created. Clairières dans le ciel (Version for Soprano & Piano): No. 13, Je garde une médaille d'elle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Clairières dans le ciel (Version for Soprano & Piano): No. 13, Je garde une médaille d'elle by Lili Boulanger, Karin Ott, Jean Lemaire to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Ballades, Op. 10: No. 4 In B | Johannes Brahms, Arturo Benedetti Michelangeli | B Major | 0 | 1B | 74 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: III. Gagliarda | Ottorino Respighi, Konstantin Scherbakov | D Major | 1 | 10B | 97 BPM | ||
Pie Jesu | Lili Boulanger, Jean-Jacques Grunenwald, Orchestre des Concerts Lamoureux, Igor Markevitch, Alain Fauqueur | C Minor | 2 | 5A | 140 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
30 Piano études, Op. 26: No. 1 in C Major, Allegro moderato ed energico | Louise Farrenc, Maria Stratigou | E♭ Major | 0 | 5B | 76 BPM | ||
4 Impromptus, Op.90, D.899: No.2 in E flat: Allegro | Franz Schubert, Krystian Zimerman | E Minor | 1 | 9A | 67 BPM | ||
In einer Nacht, Op. 15: No. 2, Sehr langsam - Musical Moments | Paul Hindemith, Elisabeth Brauß | D♭ Minor | 0 | 12A | 100 BPM | ||
Pie Jesu (arr. for voice and organ) | Anonymous, Lili Boulanger, Christine Brewer, Paul Jacobs | C Major | 2 | 8B | 86 BPM | ||
Myrthen, Op. 25: No. 24, Du bist wie eine Blume (Arr. Godowsky) | Robert Schumann, Angela Hewitt | G Major | 0 | 9B | 63 BPM |
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