Richard Baker, New Philharmonia Orchestra, Raymond Leppard's 'The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): D: Bassoons - Allegro con marcia' came out on February 5, 2006. With The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): D: Bassoons - Allegro con marcia being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 39 in the song's album "Prokofiev: Peter and the Wolf . Rawsthorne: Practical Cats etc". In this album, this song's track order is #29. In terms of popularity, The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): D: Bassoons - Allegro con marcia is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): D: Bassoons - Allegro con marcia by Richard Baker, New Philharmonia Orchestra, Raymond Leppard having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM | ||
Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | E Major | 1 | 12B | 77 BPM | ||
Josephs-Legende, Op. 63, TrV 231: Der Sheik verbeugt sich nochmals und winkt noch einmal nach oben. Etwas ruhiger | Richard Strauss, Staatskapelle Halle, Fabrice Bollon | D Minor | 1 | 7A | 135 BPM | ||
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): I: Harp - Maestoso | Raymond Leppard, Richard Baker, New Philharmonia Orchestra | D♭ Major | 1 | 3B | 68 BPM | ||
Sinfonía 39 Simbad el marino: 5. El alma perdida | Juan Pablo Fernández Ramos | D Minor | 0 | 7A | 80 BPM | ||
Puck "Fleeing from the Dawn" | Geoffrey Gordon, BBC Scottish Symphony Orchestra, Martyn Brabbins | A Major | 2 | 11B | 105 BPM | ||
世界名曲:秋夜吟 | 蔡榮吉, 李淑雲, 吳爾笠 | E Major | 1 | 12B | 85 BPM | ||
Numbers 76-80, Tristan und Isolde: I. — | Philip Venables, Natalie Raybould, Lewis Bretherton, George Chambers, Ashley Mercer, Ligeti String Quartet, Richard Baker | A♭ Major | 3 | 4B | 142 BPM | ||
The Pirates of Penzance: Oh, Better Far to Live and Die | Malcolm Rivers | C Major | 2 | 8B | 133 BPM | ||
Symphonic Dances, Op. 64: II. Allegretto grazioso (Arr. for Orchestra by John Rutter) | Edvard Grieg, John Rutter, Manchester Camerata | A Major | 1 | 11B | 101 BPM |
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