Henry Purcell, The English Guitar Quartet made "Suite No. 1 from "The Fairy Queen": III. Jig" available on 1990. With Suite No. 1 from "The Fairy Queen": III. Jig being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 20 in Baroque Guitar Quartets by The English Guitar Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Suite No. 1 from "The Fairy Queen": III. Jig is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Suite No. 1 from "The Fairy Queen": III. Jig by Henry Purcell, The English Guitar Quartet is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concert pour quatre parties de violes, H. 545: II. Allemande | Marc-Antoine Charpentier, Jordi Savall, Le Concert Des Nations | B Major | 1 | 1B | 81 BPM | ||
Concerto Grosso in B-Flat Major, HWV 312: III. Presto | George Frideric Handel, The English Guitar Quartet | E Major | 1 | 12B | 108 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): I. Introduzione | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | B Major | 1 | 1B | 124 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
Concerto In C Minor for Alto Recorder & Strings, P 440: Largo | Thierry Perenoud, The Baroque Soloists Of Amsterdam | E Minor | 0 | 9A | 130 BPM | ||
Trio Sonata in C Minor, FaWV N:c2: III. Largo | Johann Friedrich Fasch, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Symphony No. 4 in C Major: III. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | F♯ Major | 2 | 2B | 186 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 1 | 5A | 103 BPM | ||
Concerto Grosso No. 3 in F Major: II. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 138 BPM | ||
Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM |
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