"Ogelala Suite, Op. 53: III. Ivana's Tanz" by Erwin Schulhoff, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel was released on January 9, 2012. Ogelala Suite, Op. 53: III. Ivana's Tanz is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 19 in the song's album "Prokofiev, Bartók, Schulhoff, Holst & Ravel: Music of the Machine Age". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Ogelala Suite, Op. 53: III. Ivana's Tanz's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ogelala Suite, Op. 53: III. Ivana's Tanz by Erwin Schulhoff, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Promenade "Walking the Dog" - Version for Saxophone and Piano by Andreas Mader | Joseph Moog, Andreas Mader | C Major | 1 | 8B | 127 BPM | ||
Flammen, WV 93, Act II Scene 8 (Sung in German): Du gehst durch Nacht [Live] | Erwin Schulhoff, Raymond Very, Stephanie Friede, Karl-Michael Ebner, Markus Raab, ORF Vienna Radio Symphony Orchestra, Bertrand de Billy | D Major | 1 | 10B | 83 BPM | ||
Alla Tango Milonga | Erwin Schulhoff, Alma Quartet Amsterdam | F Major | 1 | 7B | 91 BPM | ||
Concerto No. 2 pour violon et orchestre: II. Molto moderato | Pierre Wissmer, Oleg Kaskiv, Aleksandar Markovic, Sinfonia Varsovia | G Major | 0 | 9B | 76 BPM | ||
Double Concerto for flute & piano with string orchestra & 2 horns: 2. Andante | Erwin Schulhoff, Aleksandar Madzar, Bettina Wild, Deutsche Kammerphilharmonie Bremen, Andreas Delfs | C Major | 0 | 8B | 96 BPM | ||
Black Sorrow | Christian Lindberg, Símon Bolívar Symphony Orchestra | F♯ Minor | 1 | 11A | 65 BPM | ||
Double Concerto for Flute and Piano, Op. 63: I. Allegro moderato | Erwin Schulhoff, Jacques Zoon, Frank-Immo Zichner, Deutsches Symphonie-Orchester Berlin, Roland Kluttig | C Major | 1 | 8B | 113 BPM | ||
Inciso No. 4 | Carlo Balzaretti, Chen Xi, Gao Can | B Minor | 3 | 10A | 165 BPM | ||
Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F Major | 0 | 7B | 178 BPM | ||
Hamnöy 1976 I | Christian Lindberg, MIN Ensemble | A♭ Major | 6 | 4B | 99 BPM |
Section: 0.5813775062561035
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