Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Jakub Józef Orliński, Il Giardino d'Amore's 'Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni appaga il tuo consorte" (Orfeo, Euridice)' came out on March 22, 2024. The duration of Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni appaga il tuo consorte" (Orfeo, Euridice) is about 3 minutes long, at 3:21. Based on our data, "Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni appaga il tuo consorte" (Orfeo, Euridice)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Gluck: Orfeo ed Euridice: "Vieni appaga il tuo consorte" and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni appaga il tuo consorte" (Orfeo, Euridice) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni appaga il tuo consorte" (Orfeo, Euridice) by Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Jakub Józef Orliński, Il Giardino d'Amore to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D Major | 1 | 10B | 125 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Ravel: A la manière de... Borodine, M. 63 | Maurice Ravel, Bertrand Chamayou | F♯ Major | 1 | 2B | 83 BPM | ||
Nocturne | Alexander Borodin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Minor | 1 | 7A | 69 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Nocturne No. 1 in B flat minor, Op. 9 No. 1 | Frédéric Chopin, Nelson Freire | D♭ Major | 0 | 3B | 62 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM |
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