Philip Glass, Paul Barnes, David Jalbert's 'Orphee Suite (arr. P. Barnes for piano): V. Return to Orphee's House' came out on September 28, 2010. The duration of Orphee Suite (arr. P. Barnes for piano): V. Return to Orphee's House is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Orphee Suite (arr. P. Barnes for piano): V. Return to Orphee's House's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 9 in Adams: China Gates - Phrygian Gates - Glass: Orphée Suite by David Jalbert. In terms of popularity, Orphee Suite (arr. P. Barnes for piano): V. Return to Orphee's House is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orphee Suite (arr. P. Barnes for piano): V. Return to Orphee's House by Philip Glass, Paul Barnes, David Jalbert is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego" | Lou Harrison, American Composers Orchestra, Dennis Russell Davies | B Minor | 0 | 10A | 87 BPM | ||
Filma Solo | Gabríel Ólafs | B♭ Major | 0 | 6B | 161 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Glenn Gould | A♭ Major | 0 | 4B | 123 BPM | ||
Sunlight | Max Richter, Louisa Fuller, Natalia Bonner, Rico Costa, John Metcalfe, Ian Burdge, Chris Worsey | E♭ Minor | 2 | 2A | 36 BPM | ||
Requiem for Cello Alone: VI. Lux aeterna | Peter Sculthorpe, Pieter Wispelwey | B Major | 3 | 1B | 89 BPM | ||
Música callada, Book 1: No. 1, Angelico | Federico Mompou, Lilit Grigoryan | A Minor | 0 | 8A | 67 BPM | ||
La damoiselle élue, L. 62: Prélude | Claude Debussy, Víkingur Ólafsson | G Major | 1 | 9B | 61 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
The Great Longing of an Unquiet Heart | Luke Howard, Budapest Art Orchestra | D♭ Major | 5 | 3B | 120 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM |
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