"Francesca da Rimini, Op. 4, Act II, Scene 7: Orsù, bisogna manganare una botte grande (Gianciotto, Francesca, Paolo)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt, Philippe Roillon was released on 1994. Francesca da Rimini, Op. 4, Act II, Scene 7: Orsù, bisogna manganare una botte grande (Gianciotto, Francesca, Paolo) is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #22 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act II, Scene 7: Orsù, bisogna manganare una botte grande (Gianciotto, Francesca, Paolo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act II, Scene 7: Orsù, bisogna manganare una botte grande (Gianciotto, Francesca, Paolo) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt, Philippe Roillon has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act II, Scene 7: Orsù, bisogna manganare una botte grande (Gianciotto, Francesca, Paolo) being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mefistofele: Prologue - Scherzo instrumentale - Appearance of Mefistofele | Arrigo Boito, Riccardo Muti | F Major | 1 | 7B | 82 BPM | ||
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera | Carl Orff, Agnes Giebel/Paul Kuen/Marcel Cordes/Chor des Westdeutschen Rundfunks/Children's Choir/Kölner Rundfunk-Sinfonie-Orchester/Wolfgang Sawallisch, Chor des Westdeutschen Rundfunks, Wolfgang Sawallisch, Kölner Rundfunk-Sinfonie-Orchester | D Minor | 3 | 7A | 127 BPM | ||
Le Comte Ory / Act 1: Introduction - "Jouvenelles, venez vite" | Gioachino Rossini, Bruno Pratico, Rosella Bevacqua, Marina de Liso, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
Gounod : Faust : Act 1 "Rien!...En vain j'interroge" [Faust] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | C Major | 0 | 8B | 130 BPM | ||
Les Pêcheurs de perles, WD 13, Act III: Sombres divinités | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Julie Fuchs, Luc Bertin-Hugault | G Major | 1 | 9B | 176 BPM | ||
Francesca da Rimini, Op. 4, Act III, Scene 2: Nova in calen die marzo, o rondine (Biancofiore, Francesca) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Anita Bader | D Minor | 1 | 7A | 80 BPM | ||
Verdi: La traviata, Act 3: "Prendi, quest'e l'immagine" (Germont, Violetta, Alfredo, Annina, Doctor) | Giuseppe Verdi, Ugo Savarese, Francesco Albanese, Gabriele Santini, Ines Marietti, Mario Zorgniotti, Orchestra Sinfonica della RAI | A♭ Major | 1 | 4B | 91 BPM | ||
Cavalleria rusticana: Part II: A casa, a casa (Men, Women, Turiddu, Lola) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 2 | 5B | 108 BPM | ||
Spring Symphony, Op. 44, Part I: The Driving Boy (soprano, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | D Major | 2 | 10B | 148 BPM | ||
Puccini: Turandot Act 1: "Perduta la battaglia" (Calaf, Liù, Timur, Crowd) | Giacomo Puccini, Eugenio Fernandi, Elisabeth Schwarzkopf, Nicola Zaccaria, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Elisabeth Schwarzkopf, Eugenio Fernandi, Nicola Zaccaria, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM |
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