"Francesca da Rimini, Op. 4, Act III, Scene 2: Nova in calen die marzo, o rondine (Biancofiore, Francesca)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Anita Bader was released on 1994. With Francesca da Rimini, Op. 4, Act III, Scene 2: Nova in calen die marzo, o rondine (Biancofiore, Francesca) being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #27 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act III, Scene 2: Nova in calen die marzo, o rondine (Biancofiore, Francesca) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act III, Scene 2: Nova in calen die marzo, o rondine (Biancofiore, Francesca) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Anita Bader has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act III, Scene 2: Nova in calen die marzo, o rondine (Biancofiore, Francesca) being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
E Lucevan Le Stelle (Tosca), 900861: Puccini: E Lucevan Le Stelle (Tosca) - E Lucevan Le Stelle (Tosca) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | F Minor | 3 | 4A | 121 BPM | ||
La Sonnambula / Act 1: Tutto è gioia, tutto è festa | Vincenzo Bellini, Isobel Buchanan, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 4 | 4B | 86 BPM | ||
Francesca da Rimini, Op. 4, Act III: E Galeotto dice, "Dama, abbiatene Pietà" | Riccardo Zandonai, Christina Vasileva, Viktória Mester, Benedicte Tauran, Kim-Lillian Strebel, Sally Wilson, Philharmonisches Orchester Freiburg, Fabrice Bollon | D Minor | 2 | 7A | 88 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Il tuo dubbio è omai certezza ... Come vinti da stanchezza" (Chorus, Normanno, Enrico, Raimondo) | Gaetano Donizetti, Gino Sarri/Tito Gobbi/Raffaele Arié/Coro del Maggio Musicale Fiorentino/Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Coro del Maggio Musicale Fiorentino, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Les Pêcheurs de perles: Arrêtez! arrêtez! C'est à moi d'ordonner de leur sort! (Zurga, Fishermen, Villagers, Nourabad, Nadir) | Georges Bizet, Ernest Blanc, Jacques Mars, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | A Major | 2 | 11B | 105 BPM | ||
Verdi: La traviata, Act 3: "Prendi, quest'e l'immagine" (Germont, Violetta, Alfredo, Annina, Doctor) | Giuseppe Verdi, Ugo Savarese, Francesco Albanese, Gabriele Santini, Ines Marietti, Mario Zorgniotti, Orchestra Sinfonica della RAI | A♭ Major | 1 | 4B | 91 BPM | ||
Le Villi: Act I - Presto! Presto in viaggio!... Angiol di Dio | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | G Minor | 2 | 6A | 127 BPM | ||
Così fan tutte, K.588, Act II: Rondo. "Per pietà, ben mio, perdona" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Appressati, Lucia" (Enrico) | Gaetano Donizetti, Tullio Serafin, Tito Gobbi, Orchestra del Maggio Musicale Fiorentino | C Major | 0 | 8B | 72 BPM | ||
I due Foscari: Non maledirmi, o prode | Giuseppe Verdi, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | C Major | 1 | 8B | 141 BPM |
Section: 0.6805574893951416
End: 0.6861443519592285