"Symphony No. 2 in C Minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend" by Gustav Mahler, Lorin Maazel, Wiener Philharmoniker was released on 1983. Symphony No. 2 in C Minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend appears to be safe for all ages as it is not explicit. The track order of this song in Gustav Mahler, Lorin Maazel's "Mahler: Symphonies Nos. 1 - 10 & Kindertotenlieder" album is number 2 out of 122. On top of that, United States appears to be the country where this track was created. Symphony No. 2 in C Minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 2 in C Minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend by Gustav Mahler, Lorin Maazel, Wiener Philharmoniker to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Radetzky March Opus 228 | Johann Strauss I, Wiener Philharmoniker, Georges Prêtre | A Major | 7 | 11B | 104 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Teil. Hymnus. Veni, creator spiritus! | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | D Major | 2 | 10B | 75 BPM | ||
Romeo and Juliet, Op.64 - Act 1: The Departure Of the Guests - Gavotte | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 0 | 9B | 136 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Stephanie-Gavotte, Op. 312 | Alfons Czibulka, Riccardo Muti, Wiener Philharmoniker | G Major | 1 | 9B | 99 BPM | ||
Der Rosenkavalier, Op. 59 / Act 1: Introduction | Richard Strauss, Wiener Philharmoniker, Sir Georg Solti | D Major | 4 | 10B | 103 BPM | ||
Symphony No.1 in D minor, Op.13: 3. Larghetto | Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev | C Minor | 0 | 5A | 69 BPM | ||
Die Walküre, WWV 86B / Act III: "Hojotoho! Heiaha!" | Richard Wagner, Liselotte Rebmann, Danica Mastilovic, Ingrid Steger, Lilo Brockhaus, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 93 BPM | ||
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione VII e Coda: Allegro vivo | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 168 BPM | ||
Symphony No.9 In E Minor, Op.95, B. 178 "From The New World": 2. Largo | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 86 BPM |
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