"Strauss, R: Brentano Lieder, Op. 68: No. 2, Ich wollt ein Sträußlein binden (Version with Orchestra)" by Richard Strauss, Wolfgang Sawallisch, Barbara Hendricks, Philadelphia Orchestra was released on November 5, 2007. The duration of Strauss, R: Brentano Lieder, Op. 68: No. 2, Ich wollt ein Sträußlein binden (Version with Orchestra) is about 3 minutes long, at 3:02. Based on our data, "Strauss, R: Brentano Lieder, Op. 68: No. 2, Ich wollt ein Sträußlein binden (Version with Orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 41 in Barbara Hendricks: Strauss Lieder by Richard Strauss, Barbara Hendricks. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Strauss, R: Brentano Lieder, Op. 68: No. 2, Ich wollt ein Sträußlein binden (Version with Orchestra)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Strauss, R: Brentano Lieder, Op. 68: No. 2, Ich wollt ein Sträußlein binden (Version with Orchestra) by Richard Strauss, Wolfgang Sawallisch, Barbara Hendricks, Philadelphia Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich | Robert Schumann, Staatskapelle Dresden, Wolfgang Sawallisch | E♭ Minor | 1 | 2A | 79 BPM | ||
Frühling | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | F♯ Major | 2 | 2B | 86 BPM | ||
IPV 14: Hai Luli | Pauline Viardot, Sivan Goldman, Shira Shaked | G Minor | 2 | 6A | 138 BPM | ||
Petite messe solennelle: Quoniam | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Alexander Vinogradov | A Major | 2 | 11B | 124 BPM | ||
Lohengrin, WWV 75 / Act I: "Nun sei bedankt, mein lieber Schwan!" | Richard Wagner, Cheryl Studer, Siegfried Jerusalem, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | F Minor | 6 | 4A | 138 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Frank Peter Zimmermann, Wolfgang Sawallisch, Berliner Philharmoniker | D Major | 1 | 10B | 147 BPM | ||
Gurrelieder / Pt. 3: XXII. Mixed Chorus: Seht die Sonne | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Dietrich Gerpheide, Arnold Schoenberg Chor, Erwin Ortner, Slovak Philharmonic Choir, Jan Rozehnal | E Major | 3 | 12B | 89 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch | A Major | 1 | 11B | 133 BPM |
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