Edward MacDowell, James Barbagallo made "Woodland Sketches, Op. 51: No. 7: From Uncle Remus" available on March 2, 1994. With Woodland Sketches, Op. 51: No. 7: From Uncle Remus being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Edward MacDowell's "Macdowell: Woodland Sketches / Fireside Tales / New England Idyls" album is number 7 out of 34. Based on our statistics, Woodland Sketches, Op. 51: No. 7: From Uncle Remus's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Woodland Sketches, Op. 51: No. 7: From Uncle Remus by Edward MacDowell, James Barbagallo to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sextet in G Minor, Op. 142: III. Rondo. Allegretto | Ferdinand Ries, Franz Ensemble, Maximilian Krome, Rie Koyama, Sarah Christian, Yuko Hara, Tristan Cornut, Juliane Bruckmann, Kiveli Doerken, Jonathan Wegloop, Emily Hoile | G Minor | 1 | 6A | 97 BPM | ||
Piano Concerto No. 3 in C Minor, Op. 32: III. Andante | Sergei Bortkiewicz, David Porcelijn, Stefan Doniga, Janacek Philharmonic Orchestra | A♭ Major | 2 | 4B | 104 BPM | ||
Piano Concerto No. 3 in C Minor, Op. 32: V. Moderato | Sergei Bortkiewicz, David Porcelijn, Stefan Doniga, Janacek Philharmonic Orchestra | C Major | 3 | 8B | 112 BPM | ||
Nocturne No.3 in B, Op.9 No.3 | Frédéric Chopin, Kun-Woo Paik | F♯ Major | 0 | 2B | 98 BPM | ||
Prélude, Op. 10 No. 1 | Anatoly Lyadov, Yoko Kikuchi | D♭ Major | 1 | 3B | 77 BPM | ||
24 Preludes, Op. 53: Prelude No. 5 in D Major | Nikolai Kapustin, Catherine Gordeladze | D♭ Major | 0 | 3B | 68 BPM | ||
6 Consolations, S. 172: No. 6 in E Major (Allegretto, sempre cantabile) | Franz Liszt, Daniel Barenboim | E Major | 0 | 12B | 72 BPM | ||
Ravel: Le Tombeau de Couperin, M. 68: VI. Toccata | Maurice Ravel, Anne Queffélec | F Major | 1 | 7B | 100 BPM | ||
Concerto In Slendro: I. Allegro | Lou Harrison, Patricia Jennerjohn, Don Marconi, Machiko Kobialka, James Barbagallo, Jerome Neff, Daniel Kobialka, Robert Hughes | F Minor | 4 | 4A | 119 BPM | ||
Variations on a Polish Folk Theme, Op. 10: Var. 5. Andantino | Karol Szymanowski, Krystian Zimerman | F Major | 2 | 7B | 80 BPM |
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