On 2011, the song "Kapitel 47 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" was released by David Allen, Jürgen Kalwa. The duration of Kapitel 47 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:17. Based on our data, "Kapitel 47 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 47 out of 194. Kapitel 47 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kapitel 47 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: La traviata, Act 2: "Di Provenza il mar, il suol" (Germont) | Giuseppe Verdi, Maria Callas, Ugo Savarese, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai | D♭ Major | 1 | 3B | 95 BPM | ||
Les 7 paroles du Christ: 2e Parole - "Hodie mecum eris in Paradiso" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 0 | 7A | 66 BPM | ||
Alive | David Allen | D Major | 4 | 10B | 180 BPM | ||
L'italiana in Algeri: Atto I. Cavatina. Cruda sorte! | Gioachino Rossini, Vasilisa Berzhanskaya, La Cetra Vokalensemble Basel, Orchestra Of The 18th Century, Giancarlo Andretta | F Major | 2 | 7B | 131 BPM | ||
Verdi: La traviata, Act 2: "Dammi tu forza, o cielo!" (Violetta, Annina) | Giuseppe Verdi, Maria Callas, Ines Marietti, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai | D Minor | 0 | 7A | 131 BPM | ||
4 Letzte Lieder, TrV 296: No. 3, Beim Schlafengehen | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Chansons de Marjolie: No. 7, En paradis | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Verdi: La traviata, Act 2: "Un di, quando le veneri" (Violetta, Germont) | Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI, Ugo Savarese | D♭ Major | 2 | 3B | 166 BPM | ||
Le Comte Ory / Act 1: "Cet écrit, noble châtelaine" | Gioachino Rossini, Stefania Bonfadelli, Marina de Liso, Marie-Ange Todorovitch, Rosella Bevacqua, Juan Diego Flórez, Bruno Pratico, Alastair Miles, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
Strauss II, J: La chauve-souris, Act 2: Couplets. "Pour un marquis de si bel air" (Arlette) | Johann Strauss II, Franck Pourcel, Liliane Berton, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 82 BPM |
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