"Verdi: La traviata, Act 2: "Un di, quando le veneri" (Violetta, Germont)" by Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI, Ugo Savarese was released on 1954. The duration of Verdi: La traviata, Act 2: "Un di, quando le veneri" (Violetta, Germont) is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Verdi: La traviata, Act 2: "Un di, quando le veneri" (Violetta, Germont)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: La traviata (1953 - Santini) - Callas Remastered by Giuseppe Verdi, Maria Callas. The song's track number on the album is #17 out of 44 tracks. The popularity of Verdi: La traviata, Act 2: "Un di, quando le veneri" (Violetta, Germont) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: La traviata, Act 2: "Un di, quando le veneri" (Violetta, Germont) by Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI, Ugo Savarese has a tempo of 166 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Verdi: La traviata, Act 2: "Un di, quando le veneri" (Violetta, Germont) being at 166 BPM, the half-time would be 83 BPM with a double-time of 332 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cherubini: Medea, Act 2: "Date almen per pieta" (Medea, Creonte, Neris, Chorus) | Luigi Cherubini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Giuseppe Modesti, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | B♭ Major | 1 | 6B | 141 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 4 Scene 2: "Suicidio! … In questi fieri momenti" (Gioconda) | Amilcare Ponchielli, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | F♯ Minor | 1 | 11A | 90 BPM | ||
Cherubini: Medea, Act 1: "Pronube dive" (Creonte, Chorus, Glauce, Giasone) | Luigi Cherubini, Giuseppe Modesti, Coro del Teatro alla Scala di Milano, Renata Scotto, Mirto Picchi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | F Major | 2 | 7B | 72 BPM | ||
Cherubini: Medea, Act 2: "Creonte a me solo un giorno da?" (Medea, Neris, Giasone) | Luigi Cherubini, Maria Callas, Miriam Pirazzini, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Minor | 0 | 7A | 61 BPM | ||
Bellinii: La sonnambula, Act 1: "Care compagne" (Amina, Chorus) | Vincenzo Bellini, Maria Callas, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | G Minor | 0 | 6A | 165 BPM | ||
Las Golondrinas: "Final, Se marcha" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 3, Récitatif, "Mais, ce Dieu, que peut-il pour moi?" (Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Verdi: Il trovatore, Act 3: "Di quella pira, l'orrendo foco" (Manrico, Leonora, Ruiz, Chorus) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, Enrico Facini, Roberto Alagna, London Symphony Orchestra | F Major | 2 | 7B | 86 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Act III: Schlussgesang: Tausend kleine Engel (Sylva, Stasi, Edwin, Boni) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 91 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) | Gioachino Rossini, Maria Callas, Alceo Galliera, Philharmonia Orchestra | E Major | 0 | 12B | 87 BPM |
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