"Orff: Carmina Burana, Pt. 1, Primo vere: Omnia sol temperat" by Carl Orff, Brian Rayner Cook/Hallé Orchestra/Maurice Handford, Brian Rayner Cook, Maurice Handford, Hallé was released on March 4, 2002. The duration of Orff: Carmina Burana, Pt. 1, Primo vere: Omnia sol temperat is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Orff: Carmina Burana, Pt. 1, Primo vere: Omnia sol temperat's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Orff Carmina Burana". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Orff: Carmina Burana, Pt. 1, Primo vere: Omnia sol temperat is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orff: Carmina Burana, Pt. 1, Primo vere: Omnia sol temperat by Carl Orff, Brian Rayner Cook/Hallé Orchestra/Maurice Handford, Brian Rayner Cook, Maurice Handford, Hallé having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM | ||
Requiem: Dies Irae - Tuba Mirum | Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi | F Minor | 4 | 4A | 85 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): I. Allegro | Karoly Botvay | E Major | 1 | 12B | 95 BPM | ||
String Quintet No. 60 in C Major, Op. 30 No. 6, G. 324 "La musica notturna delle strade di Madrid": I. Il campane quando suonano l'Ave Maria | Luigi Boccherini, Eckart Runge, Cuarteto Casals | C Major | 1 | 8B | 103 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | ||
Requiem, Op. 89 B. 165: Sequentia: Dies irae (Chorus) | Antonín Dvořák, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni Wit | D Major | 3 | 10B | 134 BPM | ||
Das Rheingold: Einzug der Götter in Walhall | Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | D♭ Major | 1 | 3B | 76 BPM |
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