Giacomo Puccini, Luciano Pavarotti, Emerson Buckley, Orchestra Sinfonica dell'Emilia-Romagna's 'Turandot: Nessun dorma' came out on 1964. The duration of Turandot: Nessun dorma is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Turandot: Nessun dorma's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 18 in Amore II - Great Italian Love Arias by Luciano Pavarotti. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Turandot: Nessun dorma is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Turandot: Nessun dorma by Giacomo Puccini, Luciano Pavarotti, Emerson Buckley, Orchestra Sinfonica dell'Emilia-Romagna is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recondita Armonia | Luciano Pavarotti | F Major | 2 | 7B | 176 BPM | ||
La Bohème: Ehi! Rodolfo! | Giacomo Puccini, Orchestra e Coro del teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli, Walter De Ambrosis, Dmitri Nabokov, Vito Mattioli, Luciano Pavarotti, Alberta Pellegrini | G Major | 3 | 9B | 65 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Rigoletto - Questa O Quella | Luciano Pavarotti | A♭ Major | 2 | 4B | 111 BPM | ||
Aprile | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Antonio Tonini | D♭ Major | 2 | 3B | 71 BPM | ||
Parla Più Piano (From "The Godfather") | Nino Rota, Jonathan Antoine, Julian Reynolds, Latvian National Opera Chamber Orchestra | D Minor | 1 | 7A | 89 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 92 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Puccini: Turandot, Act 3: "Nessum dorma!" (Calaf, Voices, Chorus) | Giacomo Puccini, Eugenio Fernandi, Elisabetta Fusco, Pinuccia Perotti, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Elisabetta Fusco, Eugenio Fernandi, Orchestra Del Teatro Alla Scala, Milano, Pinuccia Perotti, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | ||
La Boheme, vierter Akt: Sono andati fingevo di dormire | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM |
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