Kevin Puts, Conspirare, Craig Hella Johnson's 'To Touch the Sky: To Touch the Sky: VII. Who has seen the wind?' came out on September 10, 2013. With To Touch the Sky: To Touch the Sky: VII. Who has seen the wind? being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Kevin Puts, Conspirare, Craig Hella Johnson, Baltimore Symphony Orchestra, Marin Alsop's "Kevin Puts: To Touch the Sky, If I Were a Swan, Symphony No. 4" album is number 8 out of 14. In terms of popularity, To Touch the Sky: To Touch the Sky: VII. Who has seen the wind? is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of To Touch the Sky: To Touch the Sky: VII. Who has seen the wind? by Kevin Puts, Conspirare, Craig Hella Johnson to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
If I Were A Swan | Kevin Puts, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 85 BPM | ||
Chants d'Auvergne, Vol. 1: No. 3c. Obal, Din Lou Limouzi (Over in Limousin) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 2 | 6B | 103 BPM | ||
I Fontani di Roma, P. 106: II. La fontana del Tritone al mattino | Ottorino Respighi, Minnesota Orchestra, Antal Doráti | C Major | 2 | 8B | 77 BPM | ||
Five Housman Songs Op 14, Part 3: No. 5, Because I liked you better | Lennox Berkeley, Robin Tritschler, Malcolm Martineau | E♭ Minor | 1 | 2A | 113 BPM | ||
Huit Chansons de Fleurs: No. 1, We Should Not Mind So Small a Flower | Ricky Ian Gordon, Erin Morley, Gerald Martin Moore | G Major | 0 | 9B | 75 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | ||
A Child of our Time, Part III: I would know my shadow and my light (Soloists, Chorus) | Michael Tippett, Pumeza Matshikiza, Sarah Connolly, Joshua Stewart, Ashley Riches, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Canyon II, Cadence | Kevin Puts, Brian Baldauff | A Major | 0 | 11B | 71 BPM | ||
Wood Music - Concerto pour quintette à vent et orchestre | Olivier Calmel, Scoring Orchestra, Aurélien Azan Zielinski, Mayu Sato-Brémaud, Annelise Clément, Baptiste Gibier, Cyril Normand, Frank Sibold | B Major | 0 | 1B | 67 BPM | ||
Shir | Paolo Spoladore | E Major | 2 | 12B | 129 BPM |
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