Sergei Rachmaninoff, Gloriae Dei Cantores, The St. Romanos Cappella, Patriarch Tikhon Choir, Washington Master Chorale, Richard K. Pugsley, Peter Jermihov's 'All-Night Vigil, Op. 37: No. 8, Praise the Name of the Lord' had a release date set for March 3, 2017. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. All-Night Vigil, Op. 37: No. 8, Praise the Name of the Lord's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Rachmaninoff: All-Night Vigil, Op. 37". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. The popularity of All-Night Vigil, Op. 37: No. 8, Praise the Name of the Lord is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All-Night Vigil, Op. 37: No. 8, Praise the Name of the Lord by Sergei Rachmaninoff, Gloriae Dei Cantores, The St. Romanos Cappella, Patriarch Tikhon Choir, Washington Master Chorale, Richard K. Pugsley, Peter Jermihov having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): III. Andante moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
3 Romances sans paroles (from Six Romances sans paroles, Op. 76): No. 1, Souvenance. Andantino | Cécile Chaminade, Eric Parkin | B Minor | 0 | 10A | 87 BPM | ||
Piano Concerto No. 4 in G Minor, Op. 40: I. Allegro vivace | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | B♭ Major | 2 | 6B | 92 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
10 Preludes, Op. 23: No. 4 in D Major: Andante cantabile | Sergei Rachmaninoff, Eldar Nebolsin | D♭ Major | 1 | 3B | 63 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM |