"4 Sacred Hymns for Male Voice & Orchestra: No. 3, Lucis creator optime" by Goffredo Petrassi, Vasily Ladyuk, Orchestra Teatro Regio Torino, Gianandrea Noseda was released on January 27, 2015. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Petrassi: Works for Voices & Orchestra". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. 4 Sacred Hymns for Male Voice & Orchestra: No. 3, Lucis creator optime is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Sacred Hymns for Male Voice & Orchestra: No. 3, Lucis creator optime by Goffredo Petrassi, Vasily Ladyuk, Orchestra Teatro Regio Torino, Gianandrea Noseda having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Resitatiivi, Kun Jeesus Oli Ruokkinut | Joose Vähäsöyrinki, Markku Liukkonen, Heikki Rainio | C Minor | 1 | 5A | 76 BPM | ||
Petrushka, K12 (1947 Version): IVf. The Masqueraders | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
A Symphonic Mass: I. Kyrie | George Lloyd, Bournemouth Symphony Orchestra, Brighton Festival Chorus | G Major | 3 | 9B | 131 BPM | ||
Puts: The Hours, Act 2: "All Along?" (Clarissa, Laura, Virginia) [Live] | Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Kelli O'Hara, Renée Fleming, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Suite No.2 from "Namouna": No. 5, Presto | Édouard Lalo, Estonian National Symphony Orchestra, Neeme Järvi | G Minor | 2 | 6A | 179 BPM | ||
Sibelius: Symphony No. 7 in C Major, Op. 105: III. Poco rallentando al adagio | Jean Sibelius, Paavo Berglund, Bournemouth Symphony Orchestra | F♯ Minor | 1 | 11A | 83 BPM | ||
Cello Concerto No. 2, W516: I. Allegro non troppo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | D Minor | 1 | 7A | 76 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato | Dmitri Shostakovich, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | G Major | 0 | 9B | 77 BPM | ||
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | ||
Eventide: X. Fugato | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 1 | 7B | 67 BPM |
Section: 0.8238880634307861
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