Gaetano Donizetti, Jessica Pratt, Orchestra del Maggio Musicale Fiorentino, Michele Gamba's 'Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo' came out on December 3, 2021. The duration of Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 50 in Donizetti: Linda di Chamounix, A. 62 by Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Francesco Demuro, Orchestra del Maggio Musicale Fiorentino, Michele Gamba. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo by Gaetano Donizetti, Jessica Pratt, Orchestra del Maggio Musicale Fiorentino, Michele Gamba is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 63: Ib. Te decet hymnus – | Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 1 | 9A | 79 BPM | ||
La Wally: "Quando a solden" | Mario del Monaco | E♭ Minor | 3 | 2A | 138 BPM | ||
Puccini: Turandot, Act 1: "Gira la cote!" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 81 BPM | ||
La fanciulla del West, SC 78: Quello che tacete | Giacomo Puccini, Jonathan Tetelman, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Major | 1 | 2B | 96 BPM | ||
Die Fledermaus / Act 1: "Täubchen, das entflattert ist" | Johann Strauss II, Richard Leech, Wiener Philharmoniker, André Previn | C Major | 1 | 8B | 65 BPM | ||
Gounod : Faust : Act 1 "O sainte médaille" [Valentin, Wagner, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D♭ Major | 0 | 3B | 92 BPM | ||
I Capuleti e i Montecchi: Oh! quante volte ti chiedo | Vincenzo Bellini, Hera Hyesang Park, Wiener Symphoniker, Bertrand de Billy | G Minor | 0 | 6A | 78 BPM | ||
La Bohème (2003 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIÈME ACTE: Quando me'n vo | Maria Callas, Georges Prêtre, Orchestre National de la RTF | D♭ Major | 2 | 3B | 80 BPM | ||
Cherubini: Medea, Act 1: "Pronube dive" (Creonte, Chorus, Glauce, Giasone) | Luigi Cherubini, Giuseppe Modesti, Coro del Teatro alla Scala di Milano, Renata Scotto, Mirto Picchi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | F Major | 2 | 7B | 72 BPM | ||
La Fanciulla del West / Act 1: Laggiù nel Soledad | Giacomo Puccini, Carol Neblett, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | F Major | 4 | 7B | 143 BPM |
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