Requiem in C Minor, MH 155: VII. Requiem aeternam: Requiem aeternam – Cum sanctis tuis - Michael Haydn, Hilary Summers, Carolyn Sampson, The King's Consort, Robert King, James Gilchrist, Choir of The King's Consort, Peter Harvey Information

"Requiem in C Minor, MH 155: VII. Requiem aeternam: Requiem aeternam – Cum sanctis tuis" by Michael Haydn, Hilary Summers, Carolyn Sampson, The King's Consort, Robert King, James Gilchrist, Choir of The King's Consort, Peter Harvey was released on March 1, 2005. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Michael Haydn, The King's Consort, Robert King's "M. Haydn: Requiem in C Minor & Chiemsee-Messe" album is number 9 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Requiem in C Minor, MH 155: VII. Requiem aeternam: Requiem aeternam – Cum sanctis tuis is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem in C Minor, MH 155: VII. Requiem aeternam: Requiem aeternam – Cum sanctis tuis BPM

We consider the tempo marking of Requiem in C Minor, MH 155: VII. Requiem aeternam: Requiem aeternam – Cum sanctis tuis by Michael Haydn, Hilary Summers, Carolyn Sampson, The King's Consort, Robert King, James Gilchrist, Choir of The King's Consort, Peter Harvey to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Requiem in C Minor, MH 155: VII. Requiem aeternam: Requiem aeternam – Cum sanctis tuis Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.