"Tchaikovsky: Swan Lake Suite, Op. 20a: V. Andante con moto (arr. Mikhail Pletnev)" by Pyotr Ilyich Tchaikovsky, Rachmaninoff International Orchestra, Mikhail Pletnev was released on March 15, 2024. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Tchaikovsky: Swan Lake Suite & Bizet/Shchedrin: Carmen Suite". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Based on our statistics, Tchaikovsky: Swan Lake Suite, Op. 20a: V. Andante con moto (arr. Mikhail Pletnev)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: Swan Lake Suite, Op. 20a: V. Andante con moto (arr. Mikhail Pletnev) by Pyotr Ilyich Tchaikovsky, Rachmaninoff International Orchestra, Mikhail Pletnev having a BPM of 154 with a half-time of 77 BPM and a double-time of 308 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Seasons - Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | G Major | 4 | 9B | 152 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso | Johannes Brahms, London Symphony Orchestra, Valery Gergiev | A♭ Major | 1 | 4B | 133 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Le grand cahier: X. L'incendie | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B Major | 3 | 1B | 122 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
1st Movement: Adaggio / Allegro Molto | London Philharmonic Orchestra | E Minor | 1 | 9A | 116 BPM |
Section: 0.7570879459381104
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