"Don Giovanni, K.527 / Act 2: "In quali eccessi - Mi tradi quell'alma ingrata" (K. 540c)" by Wolfgang Amadeus Mozart, Leontyne Price, Wiener Philharmoniker, Erich Leinsdorf was released on January 1, 1960. Don Giovanni, K.527 / Act 2: "In quali eccessi - Mi tradi quell'alma ingrata" (K. 540c) is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Erich Leinsdorf, Cesare Siepi, Birgit Nilsson, Cesare Valletti, Leontyne Price, Fernando Corena, Eugenia Ratti, Heinz Blankenburg, Arnold van Mill, Vienna State Opera Chorus, Wiener Philharmoniker's "Mozart: Don Giovanni" album is number 34 out of 41. On top of that, United Kingdom appears to be the country where this track was created. Don Giovanni, K.527 / Act 2: "In quali eccessi - Mi tradi quell'alma ingrata" (K. 540c) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, K.527 / Act 2: "In quali eccessi - Mi tradi quell'alma ingrata" (K. 540c) by Wolfgang Amadeus Mozart, Leontyne Price, Wiener Philharmoniker, Erich Leinsdorf to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Stein der Weisen, Act I: Dialogue (1) | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Kevin Deas, Jane Giering-De Haan, Judith Lovat, Paul Austin Kelly | A Minor | 4 | 8A | 120 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Violin Concerto No. 1 in B-Flat Major, K. 207: 1. Allegro moderato | Wolfgang Amadeus Mozart, Erik Smith, Henryk Szeryng, New Philharmonia Orchestra, Alexander Gibson | B♭ Major | 2 | 6B | 118 BPM | ||
Serenata notturna in D Major, K. 239: III. Rondeau (Allegretto - Adagio - Allegro) | Wolfgang Amadeus Mozart, Thomas Brandis, Emil Maas, Neithart Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 7 | 11A | 132 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Nocturne No.14 In F Sharp Minor, Op.48 No.2 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 75 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: III. Minuetto | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 82 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM |
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