"Leoncavallo: Zazà, Act 1: "Ah! Ah! Ahi, la, la!" (Zaza, Milio, Cascart, Bussy, Courtois, Duclou)" by Ruggero Leoncavallo, Maurizio Benini, BBC Symphony Orchestra was released on January 1, 2016. The duration of Leoncavallo: Zazà, Act 1: "Ah! Ah! Ahi, la, la!" (Zaza, Milio, Cascart, Bussy, Courtois, Duclou) is about 3 minutes long, at 3:24. Based on our data, "Leoncavallo: Zazà, Act 1: "Ah! Ah! Ahi, la, la!" (Zaza, Milio, Cascart, Bussy, Courtois, Duclou)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ruggero Leoncavallo, Ermonela Jaho, Riccardo Massi, Stephen Gaertner, Patricia Bardon, BBC Symphony Orchestra, Maurizio Benini's "Leoncavallo: Zazà" album is number 9 out of 54. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Leoncavallo: Zazà, Act 1: "Ah! Ah! Ahi, la, la!" (Zaza, Milio, Cascart, Bussy, Courtois, Duclou) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leoncavallo: Zazà, Act 1: "Ah! Ah! Ahi, la, la!" (Zaza, Milio, Cascart, Bussy, Courtois, Duclou) by Ruggero Leoncavallo, Maurizio Benini, BBC Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM | ||
Pagliacci: Recitar! ... Vesti la giubba | Ruggero Leoncavallo, Enrico Caruso, Salvatore Cottone | E Major | 2 | 12B | 129 BPM | ||
Soli soli nella notte | Leo Nucci, Salotto Ottocento Ensemble | F Major | 3 | 7B | 64 BPM | ||
Czardas | Vittorio Monti, Josef Sakonov, London Festival Orchestra | D Major | 4 | 10B | 82 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: 1. Allegro non troppo e molto maestoso - Excerpt | Pyotr Ilyich Tchaikovsky, Vladimir Ashkenazy, London Symphony Orchestra, Lorin Maazel | D♭ Major | 3 | 3B | 78 BPM | ||
La bohème: Musetta! Testa adorata! | Ruggero Leoncavallo, Marcelo Álvarez, St. Petersburg State Symphony Orchestra, Constantine Orbelian | E♭ Minor | 2 | 2A | 79 BPM | ||
Stabat Mater: Amen. In sempiterna saecula | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | C Minor | 5 | 5A | 76 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | ||
Gounod: Faust, CG 4, Act 5 Scene 6: No. 31, Trio-Finale, "Alerte, alerte, ou vous êtes perdus" (Méphistophélès, Marguerite, Faust) - No. 32, Apothéose "Sauvée! Christ est ressuscité" (Choeur) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Major | 0 | 10B | 84 BPM | ||
Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Emma Matthews, Monte-Carlo Philharmonic Orchestra, Brad Cohen | A♭ Major | 1 | 4B | 177 BPM |
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