"Aida: Qui Radamès verrà… O cieli azzurri…" by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Santina Lanza was released on April 18, 2017. Since Aida: Qui Radamès verrà… O cieli azzurri… is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time, Vol. 2". In this album, this song's track order is #3. The popularity of Aida: Qui Radamès verrà… O cieli azzurri… is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aida: Qui Radamès verrà… O cieli azzurri… by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Santina Lanza having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | E Major | 2 | 12B | 91 BPM | ||
La notte di San Lorenzo | Nicola Piovani | A Minor | 0 | 8A | 123 BPM | ||
Voglio Vivere Così | Giovanni D'Anzi, Luciano Pavarotti, Henry Mancini, Unknown Orchestra | G Major | 4 | 9B | 89 BPM | ||
Vlad, Alessio: Callas Forever | Alessio Vlad, Academia Musicale Italiana/Antonio Secchi, Antonio Secchi, Accademia Musicale Italiana | E♭ Major | 1 | 5B | 87 BPM | ||
Tosca: Vissi d'arte | Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Antonia Cifrone | E♭ Major | 2 | 5B | 139 BPM | ||
Per Elisa (Rosemary's Baby) | Compagnia d'Opera Italiana Orchestra | A Minor | 1 | 8A | 71 BPM | ||
Guglielmo Tell - Sinfonia (Finale) | A. Steiner & Metropolitan Symphony Orchestra | E Major | 6 | 12B | 174 BPM | ||
String Quintet in C Major, Op. 30, No. 6, G. 324, "La musica notturna delle strade di Madrid": II. Menuetto dei ciechi | Luigi Boccherini, Mayumi Seiler, Silvia Walch, Diemut Poppen, Richard Lester, Howard Penny | A Major | 3 | 11B | 118 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM |
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