"12 Romances, Op. 21: 12 Songs, Op. 21: No. 7. Zdes' khorosho (How Fair this Spot) (arr. E. Wild for piano)" by Sergei Rachmaninoff, Earl Wild, Sandro Russo was released on March 17, 2017. The duration of 12 Romances, Op. 21: 12 Songs, Op. 21: No. 7. Zdes' khorosho (How Fair this Spot) (arr. E. Wild for piano) is about 3 minutes long, at 3:29. Based on our data, "12 Romances, Op. 21: 12 Songs, Op. 21: No. 7. Zdes' khorosho (How Fair this Spot) (arr. E. Wild for piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Rachmaninoff: Solo Piano Works". In this album, this song's track order is #10. 12 Romances, Op. 21: 12 Songs, Op. 21: No. 7. Zdes' khorosho (How Fair this Spot) (arr. E. Wild for piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 12 Romances, Op. 21: 12 Songs, Op. 21: No. 7. Zdes' khorosho (How Fair this Spot) (arr. E. Wild for piano) by Sergei Rachmaninoff, Earl Wild, Sandro Russo having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Moods, Impressions and Reminiscences, Op. 41, Book 4: No. 14. Poem | Zdeněk Fibich, Balazs Szokolay | D♭ Major | 0 | 3B | 133 BPM | ||
Nocturne No. 4 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 69 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Piano Concerto No.1 in F Sharp Minor, Op.1: 2. Andante | Sergei Rachmaninoff, Vladimir Ashkenazy, Concertgebouworkest, Bernard Haitink | A Major | 0 | 11B | 69 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Balakirev : Islamey | Mily Balakirev, Boris Berezovsky | D Major | 2 | 10B | 73 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM | ||
Etude Op. 10 no. 4 in c sharp minor | Valentina Lisitsa | F♯ Minor | 2 | 11A | 92 BPM |
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