"Piano Concerto No. 21 in C Major, K457: 2. Andante" by Wolfgang Amadeus Mozart, Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra was released on September 2, 2016. Since Piano Concerto No. 21 in C Major, K457: 2. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Proms Music 2016, Vol. 9". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto No. 21 in C Major, K457: 2. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 21 in C Major, K457: 2. Andante by Wolfgang Amadeus Mozart, Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Flute, Harp, and Orchestra in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Susan Palma-Nidel, Nancy Allen, Orpheus Chamber Orchestra | F Major | 1 | 7B | 115 BPM | ||
3 Gymnopedies: III. Lent et Grave | Erik Satie, John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | A Minor | 0 | 8A | 73 BPM | ||
Sinfonia No. 4 in C Minor, MWV N4: II. Andante | Felix Mendelssohn, Northern Chamber Orchestra, Nicholas Ward | E Minor | 1 | 9A | 129 BPM | ||
Messa da Requiem (1995 Digital Remaster), No. 2 - Dies irae: Tuba mirum | Giuseppe Verdi, Ambrosian Chorus/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | F♯ Major | 1 | 2B | 73 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Quintet in A Major for Clarinet and Strings, K. 581: II. Larghetto | Endres Quartet, Jost Michaels | D Major | 0 | 10B | 74 BPM | ||
Capriccio, Op. 85: Mondscheinmusik | Richard Strauss, Daniel Barenboim, Wiener Philharmoniker | A Major | 1 | 11B | 82 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt) | Felix Mendelssohn, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra | C Major | 1 | 8B | 36 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
Divertmento In D Major - Allegro | Essential Band | G Minor | 1 | 6A | 88 BPM |
Section: 0.793177604675293
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