Johann Nepomuk Hummel, Alessandro Commellato, Stefano Barneschi, Milano Classica, Didier Talpain made "Concerto for Piano, Violin & Orchestra in G Major, Op. 17: I. Allegro con brio" available on November 29, 2019. Concerto for Piano, Violin & Orchestra in G Major, Op. 17: I. Allegro con brio appears to be safe for all ages as it is not explicit. The track order of this song in Johann Nepomuk Hummel, Didier Talpain, Stefano Barneschi, Alessandro Commellato's "Hummel: Piano Concertos, Vol. 2" album is number 4 out of 6. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Concerto for Piano, Violin & Orchestra in G Major, Op. 17: I. Allegro con brio's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto for Piano, Violin & Orchestra in G Major, Op. 17: I. Allegro con brio by Johann Nepomuk Hummel, Alessandro Commellato, Stefano Barneschi, Milano Classica, Didier Talpain to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in A Major, Op. 1, No. 3, (Callen 3): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | E Major | 2 | 12B | 153 BPM | ||
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM | ||
Kinderszenen, Op.15: 13. Der Dichter spricht | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 169 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 174 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Lang Lang, Valery Gergiev, Wiener Philharmoniker | A♭ Minor | 1 | 1A | 84 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | D♭ Major | 0 | 3B | 174 BPM | ||
Piano Sonata No. 3 in B Minor, Op. 58: III. Largo | Frédéric Chopin, Mitsuko Uchida | D♭ Major | 0 | 3B | 71 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Mandolin Concerto in G Major, S. 28: III. Rondo. Allegro (Cadenza: A. Avital) | Avi Avital, Johann Nepomuk Hummel, Il Giardino Armonico, Giovanni Antonini | G Major | 3 | 9B | 158 BPM |
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