The Sleeping Beauty, Op. 66 : (E) Coda
Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice
Tchaikovsky: The Sleeping Beauty (Complete Ballet)
1:27 July 31, 1992
BPM
135
Key
G Major
Camelot
9B

Embed

Share Link

The Sleeping Beauty, Op. 66 : (E) Coda - Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice Information

Acousticness
0%
Danceability
57%
Energy
97%
Instrumentalness
83%
Liveness
22%
Loudness
89%
Speechiness
11%
Valence
18%
Popularity
Loudness
-6.436 dB

Summary

"The Sleeping Beauty, Op. 66 : (E) Coda" by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice was released on July 31, 1992. With The Sleeping Beauty, Op. 66 : (E) Coda being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 65 in the song's album "Tchaikovsky: The Sleeping Beauty (Complete Ballet)". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, The Sleeping Beauty, Op. 66 : (E) Coda's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

The Sleeping Beauty, Op. 66 : (E) Coda BPM

With The Sleeping Beauty, Op. 66 : (E) Coda by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

The Sleeping Beauty, Op. 66 : (E) Coda Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage by Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry WordsworthHérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. AdageFerdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry WordsworthE♭ Major05B142 BPM
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 23e. Pas de quatre: Variation IV (Diamond Fairy) by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery GergievThe Sleeping Beauty, Op. 66, TH.13 / Act 3: 23e. Pas de quatre: Variation IV (Diamond Fairy)Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery GergievB♭ Major16B100 BPM
Wienawski: Kujawiak by Tenenbaum & KappWienawski: KujawiakTenenbaum & KappA Minor18A140 BPM
Act I: The Dance Of Espada & Toreros With Cloaks (Minkus) by Mariinsky OrchestraAct I: The Dance Of Espada & Toreros With Cloaks (Minkus)Mariinsky OrchestraB♭ Major26B180 BPM
Serenade No. 10 in B-Flat Major, K. 361 Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": I. Largo - Molto AllegroWolfgang Amadeus Mozart, Anton Nanut, Slovenian Symphony OrchestraA Minor68A125 BPM
Carnival of the Animals, R. 125: Tortoises by Camille Saint-Saëns, Arthur Fiedler, Leo Litwin, Samuel Lipman, Martin HohermanCarnival of the Animals, R. 125: TortoisesCamille Saint-Saëns, Arthur Fiedler, Leo Litwin, Samuel Lipman, Martin HohermanB♭ Major06B78 BPM
Fest, Op. 49 (arr. L. Babinski): Fest-Marsch, Op. 49 (orch L. Babinski) by Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred WalterFest, Op. 49 (arr. L. Babinski): Fest-Marsch, Op. 49 (orch L. Babinski)Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred WalterC Major18B98 BPM
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto by Antonín Dvořák, Luzerner Sinfonieorchester, James GaffiganSuite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con motoAntonín Dvořák, Luzerner Sinfonieorchester, James GaffiganA Major011B157 BPM
Dvořák: Symphony No. 5 in F Major, Op. 76, B. 54: I. Allegro ma non troppo by Antonín Dvořák, Mariss Jansons, Oslo Philharmonic OrchestraDvořák: Symphony No. 5 in F Major, Op. 76, B. 54: I. Allegro ma non troppoAntonín Dvořák, Mariss Jansons, Oslo Philharmonic OrchestraC Minor25A99 BPM
Romeo and Juliet, Op. 64 (Excerpts): Farewell before the Parting by Sergei Prokofiev, Esa-Pekka SalonenRomeo and Juliet, Op. 64 (Excerpts): Farewell before the PartingSergei Prokofiev, Esa-Pekka SalonenC Major08B83 BPM
ISRC
HKI199340323
Label
L-M Records/RCA Records

Section: 0.7045929431915283

End: 0.7080581188201904