"The Sleeping Beauty, Op. 66 : (E) Coda" by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice was released on July 31, 1992. With The Sleeping Beauty, Op. 66 : (E) Coda being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 65 in the song's album "Tchaikovsky: The Sleeping Beauty (Complete Ballet)". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, The Sleeping Beauty, Op. 66 : (E) Coda's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Sleeping Beauty, Op. 66 : (E) Coda by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 23e. Pas de quatre: Variation IV (Diamond Fairy) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | B♭ Major | 1 | 6B | 100 BPM | ||
Wienawski: Kujawiak | Tenenbaum & Kapp | A Minor | 1 | 8A | 140 BPM | ||
Act I: The Dance Of Espada & Toreros With Cloaks (Minkus) | Mariinsky Orchestra | B♭ Major | 2 | 6B | 180 BPM | ||
Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": I. Largo - Molto Allegro | Wolfgang Amadeus Mozart, Anton Nanut, Slovenian Symphony Orchestra | A Minor | 6 | 8A | 125 BPM | ||
Carnival of the Animals, R. 125: Tortoises | Camille Saint-Saëns, Arthur Fiedler, Leo Litwin, Samuel Lipman, Martin Hoherman | B♭ Major | 0 | 6B | 78 BPM | ||
Fest, Op. 49 (arr. L. Babinski): Fest-Marsch, Op. 49 (orch L. Babinski) | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | C Major | 1 | 8B | 98 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Dvořák: Symphony No. 5 in F Major, Op. 76, B. 54: I. Allegro ma non troppo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | C Minor | 2 | 5A | 99 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): Farewell before the Parting | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 0 | 8B | 83 BPM |
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