Johann Sebastian Bach, Alon Sariel's 'Cello Suite No. 2, BWV 1008: IV. Sarabande Cello Suite No. 2, BWV 1008 (Arr. A. Sariel for Oud)' had a release date set for June 24, 2022. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Plucked Bach - Cello Suites". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Netherlands. Cello Suite No. 2, BWV 1008: IV. Sarabande Cello Suite No. 2, BWV 1008 (Arr. A. Sariel for Oud) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Cello Suite No. 2, BWV 1008: IV. Sarabande Cello Suite No. 2, BWV 1008 (Arr. A. Sariel for Oud) by Johann Sebastian Bach, Alon Sariel having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | ||
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) | Marin Marais, Philippe Pierlot | D♭ Major | 0 | 3B | 77 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043 (Version for Flute, Oboe & Orchestra): II. Largo ma non tanto | Johann Sebastian Bach, Ana de la Vega, Ramon Ortega Quero, Johannes Berger, Württembergisches Kammerorchester Heilbronn | D Minor | 2 | 7A | 102 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
Mandolin Partita: I. Prelude | Alon Sariel | A Minor | 4 | 8A | 81 BPM | ||
Romance sans Paroles - Bonus Track | Felix Godefroid, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
Flow | Anja Lechner, François Couturier | D♭ Minor | 0 | 12A | 118 BPM | ||
Rêverie, L. 68 (Arr. by Badzura) | Claude Debussy, Daniel Hope, Zürcher Kammerorchester | F Major | 1 | 7B | 82 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM |