"Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace ? Trio" by Ludwig van Beethoven, Carlo Maria Giulini, Orchestra Del Teatro Alla Scala, Milano was released on 1982. Since Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace ? Trio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 190 in Carlo Maria Giulini - The Complete Sony Recordings by Carlo Maria Giulini. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace ? Trio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace ? Trio by Ludwig van Beethoven, Carlo Maria Giulini, Orchestra Del Teatro Alla Scala, Milano is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Gennady Rozhdestvensky, Alain Meunier, Amy Flammer, Didier Benetti, Jean Dupouy, Jeanne-Marie Conquier, Philippe Pierlot, Viktoria Postnikova | A Minor | 1 | 8A | 134 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Variations on a Theme of Chopin, Op. 22: Variation No. 16 Lento | Sergei Rachmaninoff, Daniil Trifonov | D♭ Major | 0 | 3B | 177 BPM | ||
Glinka/Balakirev: The Lark (L'Alouette) | Glinka/Balakirev, Philip Fowke | B♭ Minor | 0 | 3A | 77 BPM | ||
Triple Concerto in C Major, Op. 56: II. Largo | Ludwig van Beethoven, Isabelle Faust, Jean-Guihen Queyras, Alexander Melnikov, Pablo Heras-Casado, Freiburger Barockorchester | A♭ Major | 0 | 4B | 66 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM |
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