Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra's 'Porpora: Orfeo: Dall'amor più sventurato' came out on September 10, 2013. With this song being about 5 minutes long, at 4:30, "Porpora: Orfeo: Dall'amor più sventurato" by Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 11 in Farinelli & Porpora - His Master's Voice by Nicola Porpora, Philippe Jaroussky. Based on our statistics, Porpora: Orfeo: Dall'amor più sventurato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Porpora: Orfeo: Dall'amor più sventurato by Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalli: Eritrea, Act 1: "O luci belle" (Laodicea, Theramene) | Francesco Cavalli, Philippe Jaroussky, Emőke Baráth | A Minor | 1 | 8A | 76 BPM | ||
Charpentier: Sans frayeur dans ce bois, H. 467 | Marc-Antoine Charpentier, Jean Rondeau, Lea Desandre, Myriam Rignol | F♯ Major | 1 | 2B | 139 BPM | ||
Vinci: Il farnace, Act 2: "Lascerò d'esser spietata" (Berenice) | Leonardo Vinci, Bruno de Sá, Francesco Corti, Il Pomo D'oro | D♭ Major | 2 | 3B | 104 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Carlo il Calvo: Scena I: Recitativo - Berardo, Asprando | Nicola Porpora, Bruno de Sá, Petr Nekoranec, George Petrou, Armonia Atenea | F♯ Major | 2 | 2B | 85 BPM | ||
Atys, LWV 53, Prologue: Ouverture | Jean-Baptiste Lully, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 122 BPM | ||
Stabat Mater: Vidit suum dulcem Natum | Agostino Steffani, Salvo Vitale, I Barocchisti, Diego Fasolis | G Minor | 1 | 6A | 34 BPM | ||
Venus & Adonis: Overture | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | D♭ Minor | 3 | 12A | 116 BPM | ||
Polifemo: Scena VII Recitativo - Galatea, Aci | Nicola Porpora, Julia Lezhneva, Yuriy Mynenko, George Petrou, Armonia Atenea | B♭ Minor | 0 | 3A | 82 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM |
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