Andrea Gabrieli, Gawain Glenton, Silas Wollston made "Ricercar del XII tuono" available on October 22, 2021. The duration of Ricercar del XII tuono is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Ricercar del XII tuono's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Myth of Venice: 16th-Century Music for Cornetto & Keyboards". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Ricercar del XII tuono is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Ricercar del XII tuono by Andrea Gabrieli, Gawain Glenton, Silas Wollston having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Palestrina: Assumpta Est Maria in Caelum - 6. Quia Hodie Maria Virgo Cum Christo 2 | The Tallis Scholars, Peter Phillips | F♯ Minor | 2 | 11A | 78 BPM | ||
Te Deum, H. 146: V. Tu de victo mortis aculeo | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, David Witczak | B♭ Major | 4 | 6B | 106 BPM | ||
Stabat Mater in G Minor: V. Vidit suum | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Major | 2 | 1B | 81 BPM | ||
Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
Miserere: IX. Quoniam si voluisses sacrificium, Sacrificium Deo spiritus contribulatus - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
O Little Rose, O Dark Rose | Gerda Blok-Wilson, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | ||
Missa Domine a lingua dolosa: Vb. Agnus Dei II | Annibale Padovano, Cinquecento | A♭ Major | 1 | 4B | 142 BPM | ||
4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht | Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 1 | 11A | 141 BPM | ||
Dominus illuminatio mea: Sinfonia | Franz Tunder, Peter Barany, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A Minor | 0 | 8A | 79 BPM | ||
Missa si Deus pro nobis, a 16 voci: II. Christe eleison | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Minor | 1 | 8A | 78 BPM |
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