"Vaughan Williams: Job, Scene 1: Sarabande of the Sons of God" by Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra was released on February 14, 1997. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vaughan Williams: Symphony No. 9 & Job by Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra. The song's track number on the album is #6 out of 16 tracks. In terms of popularity, Vaughan Williams: Job, Scene 1: Sarabande of the Sons of God is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vaughan Williams: Job, Scene 1: Sarabande of the Sons of God by Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Vaughan Williams: Job, Scene 1: Sarabande of the Sons of God being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Concerto for 2 Pianos and Orchestra: IV. Finale alla Tedesca | Ralph Vaughan Williams, Tal & Groethuysen, Douglas Boyd | D♭ Major | 0 | 3B | 87 BPM | ||
Paradis: Sicilienne 파라디스 시실리안느 | 김준영 | E♭ Major | 0 | 5B | 137 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Fantasia on a Theme by Thomas Tallis | Ralph Vaughan Williams, Iona Brown, Trevor Connah, Stephen Shingles, Kenneth Heath, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 94 BPM |
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