- BPM
- 130
- Key
- F Major
- Camelot
- 7B
Aida, Act III: "Bald kommt Radames" - "Azurne Bläue" - Maria Jeritza Information
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 2%
- Instrumentalness
- 4%
- Liveness
- 28%
- Loudness
- 44%
- Speechiness
- 5%
- Valence
- 7%
- Popularity
- 0%
- Loudness
- -33.417 dB
Summary
"Aida, Act III: "Bald kommt Radames" - "Azurne Bläue"" by Maria Jeritza was released on January 1, 2000. With this song being about 5 minutes long, at 4:34, "Aida, Act III: "Bald kommt Radames" - "Azurne Bläue"" by Maria Jeritza is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 12 in Court Opera Classics by Maria Jeritza. Based on our statistics, Aida, Act III: "Bald kommt Radames" - "Azurne Bläue"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Aida, Act III: "Bald kommt Radames" - "Azurne Bläue" BPM
The tempo marking of Aida, Act III: "Bald kommt Radames" - "Azurne Bläue" by Maria Jeritza is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Aida, Act III: "Bald kommt Radames" - "Azurne Bläue" Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIX. Pupillette, fiammette (Tempo di Minuetto) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon, Sam Furness, Matthew Rose | G Minor | 0 | 6A | 140 BPM | |
 | Dúo de Rosa y Rufo, Pt. 2 | Ángeles Ottein, Anibal Vela | F Major | 2 | 7B | 86 BPM | |
 | Aida, Act I: "Als Sieger kehre heim!" | Maria Jeritza | D Major | 0 | 10B | 74 BPM | |
 | La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | |
| Das Heimchen am Herd, Act III: "Ach, das ist herrlich" - "Lichterglanz wie hold" | Maria Jeritza | G Major | 1 | 9B | 93 BPM | |
 | Beethoven: Fidelio, Op. 72: "Gott! Welch Dunkel hier!" - "In des Lebens" (Florestan) | Ludwig van Beethoven, Michael Spyres, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 102 BPM | |
 | 8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | |
 | Les pêcheurs de perles, WD 13, Act I: Je crois entendre encore - Remastered 2024 | Georges Bizet, Raphael Arié, London Symphony Orchestra, Josef Krips | A Minor | 1 | 8A | 140 BPM | |
 | La forza del destino, Act II, Scene I: Padre Eterno, Signor, pietà di noi! | Giuseppe Verdi, Dinara Alieva, Anna Maria Chiuri, Cristiano Olivieri, Tiziano Tassi, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | G Major | 1 | 9B | 100 BPM | |
 | Mozart: Basta, vincesti… Ah, non lasciarmi, K. 486a | Wolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 0 | 5B | 70 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7539768218994141
End: 0.7583107948303223