Marc-Antoine Charpentier, William Christie, Les Arts Florissants's 'Charpentier : Médée, Act 2: "Princesse, c'est sur vous que mon espoir se fonde" (Créon, Médée, Créuse, Cléone)' came out on March 28, 1995. The duration of Charpentier : Médée, Act 2: "Princesse, c'est sur vous que mon espoir se fonde" (Créon, Médée, Créuse, Cléone) is about 3 minutes long, at 3:21. Based on our data, "Charpentier : Médée, Act 2: "Princesse, c'est sur vous que mon espoir se fonde" (Créon, Médée, Créuse, Cléone)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 24 out of 66 in Charpentier : Médée by Marc-Antoine Charpentier, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Charpentier : Médée, Act 2: "Princesse, c'est sur vous que mon espoir se fonde" (Créon, Médée, Créuse, Cléone)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Charpentier : Médée, Act 2: "Princesse, c'est sur vous que mon espoir se fonde" (Créon, Médée, Créuse, Cléone) by Marc-Antoine Charpentier, William Christie, Les Arts Florissants is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum: In Te, Domine, speravi | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | D Minor | 0 | 7A | 78 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Te Deum H146 (1989 Digital Remaster): Te aeternum Patrem | Marc-Antoine Charpentier, Felicity Lott, Eiddwen Harrhy, Charles Brett, Ian Partridge, Stephen Roberts, Choir of King's College, Cambridge, Philip Ledger, Academy of St. Martin in the Fields | D Major | 1 | 10B | 79 BPM | ||
Charpentier : Médée, Prologue: "Le Ciel dans nos voeux s'intéresse" (La Victoire, Chorus, La Gloire, Bellone) | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | D♭ Major | 3 | 3B | 107 BPM | ||
Chamber Sonata No. 4 in G Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | D♭ Minor | 2 | 12A | 84 BPM | ||
Un flambeau, Jeanette-Isabelle, H. 460c: Noel: Un flambeau, Janette, Isabelle!, H. 460c | Marc-Antoine Charpentier, Tracy Smith Bessette, Christine Stelmacovich, David Nortman, Curtis Streetman, Christopher Dawes, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 84 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Pieces de clavecin: Suite in E Minor: III. Gigue en rondeau I | Jean-Philippe Rameau, Gilbert Rowland | E♭ Minor | 2 | 2A | 132 BPM | ||
Chamber Sonata No. 4 in G Minor: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Minor | 3 | 7A | 99 BPM |
Section: 0.5430581569671631
End: 0.5462567806243896