"The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): VI. Water Theme and End Music" by Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson was released on March 4, 2016. The duration of The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): VI. Water Theme and End Music is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): VI. Water Theme and End Music's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Network". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): VI. Water Theme and End Music is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): VI. Water Theme and End Music by Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in D Minor, Op. 61: III. Allegramente | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | G Major | 3 | 9B | 89 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
The Fairy's Kiss: D. Coda (fig. 181) | Igor Stravinsky, Cleveland Orchestra, Oliver Knussen | A Minor | 0 | 8A | 69 BPM | ||
Concerto for Cello and Orchestra: II. Allegro appassionato | William Walton, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | G Minor | 0 | 6A | 103 BPM | ||
Celos (Arr. for Violin & String Orchestra by Ken Selden) | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Consolation | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Grohg - Ballet in one act (1922-5, rev. 1932): 1. Intro and Cortège. Entrance of Grohg | Aaron Copland, Cleveland Orchestra, Oliver Knussen | A Minor | 0 | 8A | 129 BPM | ||
Horn Concerto, op.28: Intrada | Oliver Knussen, Barry Tuckwell, London Sinfonietta | B♭ Major | 0 | 6B | 143 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variations XV & XVI | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | D Major | 2 | 10B | 108 BPM | ||
Undine: Lento | Hans Werner Henze, London Sinfonietta, Oliver Knussen | F Major | 3 | 7B | 120 BPM |
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