Krzysztof Penderecki, Isaac Stern, Stanisław Skrowaczewski, Minnesota Orchestra's 'Violin Concerto No. 1: Tempo I' came out on 1979. Since Violin Concerto No. 1: Tempo I is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Penderecki: Violin Concerto". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. The popularity of Violin Concerto No. 1: Tempo I is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 1: Tempo I by Krzysztof Penderecki, Isaac Stern, Stanisław Skrowaczewski, Minnesota Orchestra having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
2 Pieces for Strings from Henry V: No. 1. Passacaglia: Death of Falstaff | William Walton, English Chamber Orchestra, Julian Lloyd Webber | E Minor | 1 | 9A | 86 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
Polish Requiem: Agnus Dei | Krzysztof Penderecki, Sinfonia Varsovia | D Major | 2 | 10B | 165 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveigs sang (Solveig's Song) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | A Minor | 0 | 8A | 110 BPM | ||
Symphony No. 1, "Afro-American": II. Sorrow (Adagio) | William Grant Still, Fort Smith Symphony, John Jeter | F Major | 0 | 7B | 55 BPM | ||
Sonata For Solo Cello: I. Dialogo: Adagio, rubato, cantabile | György Ligeti, Miklós Perényi | G Major | 0 | 9B | 69 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Spring Rounds | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Minor | 0 | 3A | 135 BPM |
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