"Concerti a più istrumenti in F Major, Op. 6 No. 6, II. Adagio" by Evaristo Felice Dall'Abaco, Il Tempio Armonico, Davide Monti, Orchestra Barocca di Verona, Alberto Rasi was released on October 23, 2008. With Concerti a più istrumenti in F Major, Op. 6 No. 6, II. Adagio being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 17 out of 37 in Dall'Abaco: Concerti a più istrumenti by Evaristo Felice Dall'Abaco, Alberto Rasi, Il Tempio Armonico, Orchestra Barocca di Verona, Davide Monti. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Concerti a più istrumenti in F Major, Op. 6 No. 6, II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerti a più istrumenti in F Major, Op. 6 No. 6, II. Adagio by Evaristo Felice Dall'Abaco, Il Tempio Armonico, Davide Monti, Orchestra Barocca di Verona, Alberto Rasi is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia No. 7 in G Minor, RosS 533.7: IV. Allegro | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | D♭ Minor | 3 | 12A | 120 BPM | ||
Concerto 4 in F Major, Op. 7: III. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 3 | 12B | 100 BPM | ||
Sonata in D Minor: V. Fugue | Anne Danican Philidor, Héloïse Gaillard, Jeanne Jourquin, Eleanor Lewis | D♭ Minor | 3 | 12A | 115 BPM | ||
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: II. Allegro | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: IV. Allegro | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Oratorio Maria dolorata: Sinfonia | Leonardo Vinci, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Sonata Prima in F Major: IV. Giga Presto | Unico Wilhelm van Wassenaer, Teun & Teun | F♯ Minor | 1 | 11A | 126 BPM | ||
Il pianto d'Arianna in E-Flat Major, Op. 7 No.6: X. Largo | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | D Minor | 0 | 7A | 97 BPM | ||
Concerto grosso No. 6 in G Minor, Op. 6/6, HWV 324: II. A tempo giusto | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 169 BPM |
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