"Ave Maria, "Ellens Gesang III", Op.52 No.6, D.839 (Arr. Johannes Palaschko)" by Franz Schubert, Mischa Maisky, Pavel Gililov was released on May 8, 2020. Ave Maria, "Ellens Gesang III", Op.52 No.6, D.839 (Arr. Johannes Palaschko) is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. There are a total of 25 in the song's album "Schubert: Essentiel". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Ave Maria, "Ellens Gesang III", Op.52 No.6, D.839 (Arr. Johannes Palaschko) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Maria, "Ellens Gesang III", Op.52 No.6, D.839 (Arr. Johannes Palaschko) by Franz Schubert, Mischa Maisky, Pavel Gililov having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adeste Fideles (O Come, All Ye Faithful) | John Francis Wade, Angela Gheorghiu, Romanian National Choir "Madrigal-Marin Constantin", London Philharmonic Orchestra, Ion Marin | C Major | 3 | 8B | 132 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | ||
Geschichte eines Nussknackers: Der Pate Drosselmayer | Max Müller | F Minor | 2 | 4A | 128 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
The Liberty Bell March | John Philip Sousa, Royal Philharmonic Orchestra, Philip Ellis | F Major | 5 | 7B | 133 BPM | ||
Messiah, HWV 56: Part 2: Hallelujah (Chorus) | Nikolaus Harnoncourt | D♭ Major | 3 | 3B | 86 BPM | ||
Gretchen am Spinnrade, D. 118 (Arr. for Piano by Franz Liszt) | Franz Schubert, Yuja Wang | C Major | 3 | 8B | 78 BPM | ||
Ave Maria - Live From Yellow Lounge | Johann Sebastian Bach, Charles Gounod, Anne-Sophie Mutter, Lambert Orkis | F♯ Major | 1 | 2B | 115 BPM |
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